Taking the Mic

I'm still plugging away on the Paul Gilbert guitar course. I'm trying to put in an hour a day, but have been slipping lately. There isn't a fixed practice schedule, so I tend to work on various exercises from lessons I've already seen for a while and then go looking for some more. This will either be the next ones in the sequence or I'll find a video response that looks interesting. I'm learned a couple of new songs from those.

I've had four video responses from Paul now. It takes around a week for him to do these, but he's doing a lot of them. They are mostly done from a studio, but I've seen one done from the back of a car somewhere in the UK.

I may be taking on too much, but I've also enrolled in another +Coursera course about the Music of The Beatles. I'm hoping that I can fit in watching the videos when the study is occupied. Although I've heard the band all my life I've not owned their albums and don't know all the background. One of the introductory videos explores some of the available books. There are plenty of those that go into minute detail of how they recorded, the gear they used and the stories behind the songs. I'll look out for those, but I'm loaded up with books right now. Currently reading Guitar Zero about how our brains handle music.

We're also doing some family tree research at the moment. We're concentrating on my wife's family. They have been in Arlesey for a long time. There's a local project based around those men on the war memorial as we commemorate the centenary of the First World War. We have a lot of family photos, but don't know who they all are.

The studio has had an upgrade in the form of an MXL 990 condenser microphone. I've been wanting a decent microphone to use instead of my Zoom H4. That does a good job, but it is difficult to adjust the levels on it and I'm not sure it's ideal for voice. I've done some vocal testing that sounded good. I also tried it with my classical guitar. I've not played that much lately, so I was a bit rusty.



I need to record my acoustic for the Six String Bliss 70s project soon. Something I want to try is to record it with both of my microphones plus the pickup. I've got enough inputs to do all of those at once, so I can do a proper comparison. I'll try to do that soon and post the results.

Where did I put my flares?

The Six String Bliss podcasts have come to an end (unless the hosts have a change of heart), but the community lives on. We're going to try and keep producing albums for our own enjoyment. There are actually two projects in progress at the moment. One was proposed as a 'quick and dirty' 'EP' of songs from the 70s, but seems to be growing into more of an album based on songs people have reserved. The other is to cover songs from the original Woodstock festival.

I plan to contribute to at least one of these. I have a couple of ideas for 70s songs. They are songs that I know pretty well and have wanted to record anyway, so this could push be into getting that done. One will be a stripped-back acoustic version whilst the other will be a full band arrangement where I aim to play all the parts. I usually shy away from programming drum tracks, but will give it a try this time, with a MIDI file I found as a back-up.

I've not decided on anything from Woodstock yet. There are loads of possibilities, but I need to do some listening to make up my mind. I'll see if anyone wants to collaborate.

Forum stalwart JMan is blogging about his recording process, without giving away the actual song(s). This is very useful as many of us are not too organised in how we record and could do with some tips to make it run smoother. I could do with a bit more structure to how I work, but I don't know if I will ever be as organised as JMan.

I'll be using my usual toolset of Ardour and Hydrogen (from the KXStudio repos) plus various plug-ins. I may use my Zoom G3X for effects and amplifier emulation, but I need to check in on the state of Guitarix again soon.

Meanwhile, I'm still working hard on the Paul Gilbert guitar course. I've had two video responses from him now that were spot-on for what I needed. He puts a lot of emphasis on muting as this is vital for playing loud without extra string noise and is also fun for 'chikka' noises. I was working on an exercise using this last night that was crying out for some wah. I've only gained a wah fairly recently on the G3X and am slowly learning to use it.

Star struck

A while back I posted about taking some private guitar lessons. The lessons were good, but getting to them proved to be a pain. It was only a few miles from the office, but getting there after work could take a ridiculously long time. Regretfully I had to give them up, but Stuart left me with lots of material to keep working on. We did an extended last session about chords.

I had also been looking into some of the on-line courses available. I liked the look of the Paul Gilbert school from +ArtistWorks. I like Paul's teaching style. They had some special offers at the end of the year, so I treated myself to a three month subscription that started last week.

The school consists of lots of lessons grouped as Fundamental, Intermediate and Advanced. In his introduction Paul recommends that everyone work through from the start and I can see why. He includes lots of good tips in each video that are applicable to most players on basics like tuning and holding the pick. The latter is different to what I have always used. He uses his thumb and two fingers. I'm giving that a try and finding that I need to use a lighter pick to get smooth strums.

Fairly early on he introduces muting, which is a vital skill for electric guitar. Some of the exercises are fairly tricky, e.g. playing left-hand muted strums between each note of a pentatonic scale.

One of the big selling points of this site is that the instructor will give feedback on videos which you submit for specific lessons. I've sent in my first one and have another ready. I used Cheese to record the first one, but then had to convert the video (using Handbrake) to a format that they accept. GUVC offers more options, but I still had to convert the file. This is my second video. I can't send it in until Paul responds to the first. That seems to be taking a while.

I can't post Paul's response as it's locked into the site, but if you join then you can see all of them. He gives different suggestions for each person, so that makes for a lot of extra material to learn from. It's actually overwhelming how much there is.

The site has various social aspects including a forum and 'shout out' board that Paul participates in. There are also some interviews including this one with Dweezil Zappa. The whole thing is eight parts and they cover a lot of ground.

There is a free acoustic school you can join to see how it suits you. This is fairly basic stuff and I have only looked at a few of the early lessons. There are lots of other schools for different instruments and genres. Everything from classical to bluegrass.

ArtistWorks has an affiliate scheme. If you join with this link then we both get a free extra month. I think the prices are pretty good as you are only paying the equivalent of one private lesson each month.

Still pondering the upgrade

I wrote some thoughts about building a new PC six months ago. I still haven't pulled the trigger, although I did get an SSD for the current PC. I need to re-install that to make it operational again.

I've just been putting together a shopping list of components. This ought to give me a big performance boost, mainly due to the CPU.

• AMD APU A10 6700 4.3GHz: Nearly double the clock speed of the current unit and double the cores. I don't really want to have to get a separate graphics card. This should be enough for the few simple games I might play. It's a 65W TDP model, which I assume means it will need less cooling than the 100W models. From what I've read Linux has support for the graphics, but there's not a huge amount of information on this
• Biostar Hi-Fi A85W Socket FM2: Just a generic ATX motherboard with the PCI slots I need for my audio interface. I don't need much from the motherboard. I've used smaller boards before, but they can be fiddly to work on
• Corsair 8GB DDR3 1866Mhz: 8GB is probably enough for now. Not going for anything too fancy as I don't plan to overclock
• be quiet! PURE POWER L8 400W: 400W is probably more than enough. I mainly need quietness
• Fractal Design Define R4: A friend has this case. It has some sound-deadening material in it. It will be under my desk, so size is not a major issue
• SANDISK ULTRA PLUS SSD 128GB: This will be the boot drive
• Seagate 2TB BARRACUDA 3.5" SATA-III: The data drive. That's far more than I have now
• I've not settled on a CPU cooler. Not seeing too many that say they work on the FM2 socket. Looking for something up to £25. Any suggestions?
• Audio interface and DVD will be moved from the old PC

That lot comes in at around £500. Making it totally silent could add around £100 for a better power supply and cooler. Some of these parts have got cheaper since I looked a few months back. I probably won't be buying anything until the new year, but they may get even cheaper.

Do not underestimate the power!

One of the weaknesses of my recording set-up has been the speakers. I've been using the Yamaha YSTM20DSP speakers that came with the PC I bought many years ago. They are not as bad as some computer speakers, but you can't expect much bass from such small units.

I've been eyeing up various monitors for some time. There's a vast price range, but I was aiming at the lower end. I know people who have the KRK Rokit and like them. I eventually managed to get some money put aside, but had to set my sights slightly lower. The M-Audio BX5 D2 looked good. One problem is the lack of places where you can actually go and try out the various options, especially if you are looking at the lower end models. I've been mostly going my reviews and forum postings. Gearslutz has plenty of opinions, but may just leave you overwhelmed.

Then I saw the Studiospares Seiwin monitors. These were a similar price to the BX5, but with bigger speakers and more power. The reviews I found were positive, so I decided to take a chance on them. +Studiospares Ltd is near where I work and I've driven past them hundreds of times without going in. I popped in last week to buy these. They had a deal that included some isolation pads and I found some cheap (balanced) cables. They were friendly in there. I will probably be back some time.

So I got them home and set up. First impressions are good. I can just hear so much more. Not just the bass, but the drums are also much clearer. Vocals seem to come from a point just in front of me. Listening to some Björk was a wonderful experience.

I'm using the swiveling shelves on the sides of my Ikea Jerker desk. I've seen comments that this desk is not ideal as the speakers really need to go where the uprights for the upper shelves are. So mine are further apart than most sources recommend. The ideal is supposed to be where the speakers and your head are in an equilateral triangle. That may not always be the case. I need to experiment a lot more. In any case they should give me a more accurate picture of what my mixes sound like than the Yamahas.

The other aspect you will see mentioned a lot is acoustic treatment of the room. I may look into getting some for the corners behind the desk and the walls on each side. The wall behind me is covered in shelves of books etc that may absorb some sound. Again, I'm not looking to spend a fortune. An 'ideal' room needs to be specially built. Maybe I should have taken that into consideration when we built the house. Oh, and eggboxes do not do much to help acoustics, even if they look a bit like some of the materials used in studios.

You may also notice in the picture my new Sennheiser HD201 headphones. I needed something new as some of my old headphones are falling apart. I needed something better for monitoring that didn't leak much sound, or creak like my old Sonys. These seem popular as a budget option.

Now I just need to do some more recording...

By the way, I've only recently discovered that my M-Audio Omni i/o box is more useful than I realised. It can take extra inputs that just get mixed with the usual output without being available to the computer. So I now have my record player and my Zoom G3X guitar rig plugged in so that everything can go through the new speakers. You can't easily tweak the individual levels, but this is very convenient.

Lessons to be learned

As I've previously said, I've been thinking about getting more guitar lessons. I found +Stuart Bahn on Google+ where he was posting some interesting articles and eventually realised that he's based not far from where I work in London. My first lesson was last night.

I told him that I want to improve my ability to solo in blues and rock. Whenever I try this I seem to just play cliches or get stuck in very linear patterns. I have tried learning more licks from various tutorials, but haven't done so well at applying them.

Stuart is taking me back to basics on really learning the minor/blues pentatonic scales in all positions and exploiting the extra notes and bends you can use. He did a good job of explaining the basic theory behind why certain notes sound good. I knew some of this, but he's filling some gaps. We went through some example licks to apply this, but he emphasised using variations of those for variety.

He also picked on up various issues with my technique. I expected this as I knew I had some bad habits. I need to work on all areas of picking, bending and muting. I generally just play my electric without plugging in, but he said I should use an amplifier or other effects so that I can more clearly hear where the issues are, e.g. other strings sounding when they shouldn't.

I've got a load of stuff to work on before my next lesson in a couple of weeks. I have been playing a fair bit anyway, but it was not generally focused on anything specific. I have been trying to use some books, but not sticking to a schedule. I will review those in the context of what I'm doing in the lessons.

Of course I need somewhere to apply all this learning. I'll look again at trying to get involved in some sort of jam at least.

Guitaring

Although I've been playing guitar for about 35 years I don't consider myself to be that good a player in various areas. I've mostly been a bedroom player and just learnt songs, or parts of songs that took my fancy. I've also done lots of tutorials, initially from magazines, and later on-line. I've not done much actual performance where I need to bring it all together. I have played in a couple of band line-ups, mostly playing rhythm. I have improved at that, but could do with expanding my chord vocabulary.

I've recorded a few songs where I played several parts, but those are invariably built up from lots of small sections and I've not done much soloing.

Soloing is probably my weakest area. I know lots of licks, but when I try to string them together it all sounds terribly clichéd. My recent jazz improvisation course showed up some of my limitations, but may have been too advanced or the wrong approach for me. Perhaps my mindset of being analytical rather than spontaneous is part of the issue.

I'm thinking of ways to move forward. One is to find a good teacher who can guide me to a new approach. I have some leads on that to follow up. My other thought is to try learning more full songs, complete with the original solo. I have quite a few of those in magazines, with backing tracks. I'd aim to play the song 'live' as if performing it. I really want to do some gigs at some point, but just don't feel quite ready yet.

This post is an incentive to actually get on with achieving my goals, so that I need to update you later. Stay tuned.